Erin Brockovich is a legal drama based on the true story of a woman responsible for the largest deal ever paid in direct legal action in the United States.
Erin Brockovich’s movie? A Talent Woman was directed by Steven Soderbergh. Julia Roberts received the highest salary paid to a movie star to date. The film had five Oscar nominations in its 73rd edition.
- Erin’s story is about a single mother of three.
- After losing a personal injury trial.
- She asks her lawyer.
- Ed Masry (Albert Finney).
- If he can help her find a job.
- Once employed as an archivist.
- He found information about a small -known case against Pacific Gas and Electric.
- Erin begins to investigate the details of the case.
- Convinced that the facts do not match.
Over time, he discovers the systematic cover-up of a very dangerous practice: the industrial poisoning of a city’s water supply that threatens the health of the entire community. The film delves into Erin’s personal struggle for justice for people who did not. I even think they needed it.
Erin Brockovich, divorced twice, raising her three children alone and indebted, struggles to find a job, has no diploma, speaks a language that is not compatible with the formal realm and wears longer stilettos than her skirts.
However, she became the heroine of a poisoning scandal by a large and powerful power company. Julia Roberts takes on the eponymous role of the film and injects the character with all the energy and momentum she needs to unite. His performance is impeccable, which makes this production a resounding success.
The film tells the hard-to-believe but true story of Erin Brockovich, a rather fighting ex-miss. A poorly paid employee at a small law firm was able to take a large-scale lawsuit over contaminated water. Pacific Gas $333 million deal
However, Susannah Grant’s script circumvents the judges’ courts and chambers. The film focuses on a woman’s journey of self-discoveration, triggered by a passionate belief that a serious mistake needs to be corrected. Affected people are people like her. Workers in combat whose well-being is threatened by indifference and disdain for companies.
Erin suffers a car accident from another driver’s carelessness, with some muscle damage, when she loses her lawsuit against the other driver nearly blackmails her lawyer Ed Masry (Albert Finney) into hireing him to work at his Los Angeles law firm. She doesn’t like other employees very much, who get upset with her clothes and tongue. However, Erin throws hes hem to work.
When you open a file, you find medical records that confuse it. Learn about water supply poisoning in California’s Mojave Desert, covered by PG
Therefore, municipal water records are being investigated to see if groundwater in the area may have been contaminated with hexavalent chromium, which is likely related to several diseases presented by the people of Hinkley.
Leaving her children in the care of her boyfriend, a motorcyclist named George (Aaron Eckhart), travels hundreds of miles in her car to visit potential victims, Erin emotionally connects with those affected by this situation, are humble, vulnerable and worried about their families from the beginning, are kind to Erin and entrust her with their personal stories.
At the center of the story is the relationship between Erin and his boss Finney. The love-hate relationship between these two characters from different generations gives the drama much of its comic touch.
In addition, the depth of the relationship between the boss and Erin is evident throughout the film, he is aware of Erin’s great family weight, accepts his manners, sees the truth and risk: what he would like to be, but does not feel able to be.
The film is an aggressive and linear drama based on the reality of a mother living on very low incomes. Soderbergh has created a film recognized by all sectors: audiences, critics and film festivals. His main Oscar contender for Best Director was himself. He lost to him, but he triumphed with Traffic.
The film shows some of the recurring themes in the director’s previous work, such as interest in the sinister nature of big business, women’s independence and individual and collective ability to become self-aware and learn, however, it is clear that Soderbergh has curbed her experimental inclination, taking the approach that less is more in the face of naturalism and brilliance of all performances.