Leonardo da Vinci’s biography: a Renaissance visionary

Today we are going to talk a little bit about leonardo da Vinci’s biography; Painter, inventor, scientist, architect, musician, writer?There were so many disciplines that he dominated with his genius and visionary character that he received the title of “Renaissance Man”. However, her personal life has always been hidden, covered by the same sfumato she printed on unforgettable works, such as Mona Lisa.

Whenever we hear his name, it’s common for him to arouse a mixture of curiosity and admiration. Immediately works such as The Last Supper, The Lady with Hermine or The Man of Vitruvius come to mind. However, we sometimes overlook Vinci’s many contributions to engineering.

  • His flying machine.
  • Anemometer.
  • Parachute.
  • Diving equipment or war machines are some sketches that he left us in his work and that.
  • Later.
  • Will become reality.
  • Leonardo da Vinci was above all a pioneer of the experimental method.
  • Forward.
  • Unknowingly.
  • On such important figures as Descartes or Francis Galton.

What has always guided him is his fervent curiosity that has made him a self-taught passionate about nature, science and research, filling his notebooks with each of his ideas, projects, sketches and nervous theories that today remain so difficult to interpret. is where our attraction to this airtight and mysterious figure comes from.

Da Vinci was a person who came to encrypt his ideas and thoughts through speculative writing, using a mirror to make his words harder to read.

“There are three types of people: the ones you see, the ones you see when you show them something and the ones you don’t” – Leonardo da Vinci-

Leonardo da Vinci was born in 1452 in Anchiano (Tuscany, Italy), very close to the city of Vinci, his birth is the result of a relationship between Caterina di Meo Lippi, a very young peasant, and Messer Piero Fruosino di Antonio da Vinci, a notary from Florence.

They never married, but Leonardo is known to have spent the first years of his life with his father, grandparents and uncle, being raised and educated as the legitimate son of Antonio da Vinci, his upbringing was not very important. He learned to read and write and excelled in arithmetic, however, according to historians, he never mastered Latin.

At the age of 15 he already showed great gifts for artistic creation, his father, who appreciated this talent, did not hesitate to send him as an apprentice in the workshop of the famous sculptor and painter Andrea del Verrocchio, in Florence. , Italy. This period of formation lasted almost a decade. At that time, Leonardo da Vinci not only excelled in his painting and sculpture techniques; his vision of the mechanical arts was also clear.

In 1482, already an independent master, Leonardo da Vinci decided to move to Milan to work for the ruling Sforza clan, then was able to demonstrate his innovative skills as an engineer, painter, architect and even as a festival maker for the court.

In addition, many historians consider that one of the reasons da Vinci left Florence was to give prestige to his former master, Andrea del Verrocchio, a way to do it would be to create a spectacular work, something you have never seen before. This project was Storfa’s horse.

His goal was to build a bronze horse galloped, a figure seven meters high and seven meters long, fused in one piece, something very difficult.

The work was made first with clay. It was a great mold that only took those who arrived in Milan breathless, but due to the Italian Wars, da Vinci could never end up with bronze. The equipment was intended for artillery cannons.

During his stay in Milan, between 1495 and 1498, Leonardo da Vinci made one of his best-known works, an oil on plaster made for the refectory of the monastery of the city of Santa Maria delle Grazie. Dinner.

It symbolizes the Passover Supper and the moment jesus reveals to his apostles that one of them will betray him, this work draws attention for its dimensions, 4. 60 meters high and 8. 80 meters wide, an artistic miracle that, for many, borders on perfection, a dynamic composition, refined and rich in readings.

It is a work that, as with Botticelli’s paintings, is better understood if the figures are grouped into three, that is when one discovers how a static-looking image is energized, the microhistory are divided into these small groups full of fascinating symbolisms, secrets and nuances.

Sigmund Freud said leonardo da Vinci was a man who awoke very early from the darkness of his time, his prodigious and visionary spirit was very advanced at the time, it was that patient look that admired nature. He was also a man passionate about the human body who did not hesitate to obtain corpses to practice dissections and better understand the function of organs, anatomy, etc.

His eclectic knowledge and passion for immersing himself in almost every area of knowledge was also a major problem for him and his own story. Da Vinci spent a lot of time observing, testing theories, idealizing in his notebooks, all this prevented him from completing many of his works.

Today we have several sketches that you never put on a canvas. Beginning in 1490, da Vinci spent almost more time filling sheets of illustrations, drawings and sketches of unusual machines than completing many of the works he had already begun.

These notebooks, also known as “codex”, are true treasures preserved in museums. One of the most interesting is undoubtedly the Codex Atl’nticus, which shows the famous flying machine, which already indicated the first bases of aeronautics and physics.

The Renaissance man, this figure who emerged early from darkness, left this world in 1519 at the age of 67, but his legacy, the mark of his genius, as well as the mysteries that still enclose in his works and in these notebooks, are still alive and healthy, inspiring dozens of books each year about his remarkable character.

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