Here’s a story, and everyone will find out. Carpets that have not been lifted for a long time become large deposits of dust. Spotlight is a fantastic film because, in the way it counts, it maintains its attachment to cinema, but also to the profession it embodies, to journalism and the facts it brings to life on the big screen.
The carpet that shakes the writing of the Boston Globe is the one that, with its vivid colors, looks impeccable. We are talking about the Church as an institution. A church with a huge influence on the community (Massachusetts, Boston, 2002) in which the facts occur, is a guiding element of the community, with such an important social role that many think it is better to look away when, under their control, crimes are committed, including child sexual abuse.
“A free press keeps powerful institutions under control. “-Projector-
It’s hard to show the best of Spotlight, a movie that works as well as a set. The actors are up to the task, the script is clean, the shots are well cut and the scenes unfold smoothly, with no side stories among the characters. two that obscure the thread. The film is sincere with the viewer from the very first moment and maintains that commitment to the end.
Spotlight won the 2015 Oscar for Best Picture, with feature films as powerful as The Return, Bridge of Spies and the exciting Jack’s Room. He was also recognized for his script, winning such original works as Funny Mind. all the point, but show us that we’re looking at a movie that deserves a chance.
“If you are a poor child from a poor family and a priest takes care of you, you feel very special. How to say no to God?-Projector-
A research team is free to work at the prestigious The Boston Globe. This team consists of a director (Michael Keaton) at the helm of Mark Ruffalo, Rachel McAdams and Brian d’Arcy James. Also involved are an assistant editor (John Slattery, who Ben Bradlee Jr. ) and a new editor (Liev Schreiber playing Marty Baron) to life.
It is precisely the newcomer Baron who will turn the group’s attention to the sexual abuse that occurs in the Church with the knowledge of the religious who hold senior positions in the hierarchy, from there the cameras turn to those who might have done something. but he didn’t, who was silent or who didn’t help change anything.
From a psychological point of view it draws attention to detail, the film is an example of how, in many cases, it is an external element that turns on the fuse so that everything changes, for example, in situations of abuse, this element is usually a close experience In the case of the film, change comes with the new editor: a person who grew away from the command positions that the Church has in this community.
“Unlike what is happening in Spain, in the Spotlight case in the United States, bishops are collecting and publishing the information. In fact, the Pennsylvania report was supported by the six dioceses involved. -eldiario. es-
If we look for a figure, we will find that about 100,000 victims of clerical pedophilia are recognized worldwide, this does not take into account all cases where there is a reasonable doubt or those that have not even been disclosed. Difficult of all is the silence, complicity and permissiveness that occur in many cases: the Church’s own fear of being responsible for her own sins, to recognize he he hemselves as human when most society already recognizes her as such.
We’ve come a long way, we may have pierced the thickest layer, but there are still many cases to discover, and not out of revenge or lack of faith. The aim is that these cases should not be repeated, that victims feel supported and supported in relation to the aggressor, that no institution believes that it can earn more by hiding or hiding than by denouncing what is wrong and promoting law enforcement.