The object has in Lacan

When we talk about psychoanalysis, it is most common to think of Sigmund Freud, the father of this discipline, however, several authors have continued their legacy. One of them was Jacques Lacan, recognized for theories such as object a.

In addition to developing this theory and highlighting the main characteristics of this object, we will also review some points related to the author’s framework of thought.

“Only those who have surrendered to their desire feel guilty. – Jacques Lacan-

Lacan was a psychoanalyst of French origin who introduced innovative elements in psychoanalysis. He studied medicine and then majored in psychiatry. In 1938, he began his analysis, an essential process for any psychoanalyst.

Lacan is best known for his first attempt at the mirror scene, speaking of this and other works, the author acknowledged that his theories come from his reading of Freud, in addition, he has incorporated elements from other disciplines, such as:

He was also very active in the art world, had good relations with Luis Buunuel, Salvador Dali, Pablo Picasso and André Breton, also became interested in surrealism, participated in the public reading of Ulysses, James Joyce, and became interested in the works of Heidegger and Hegel.

His approach to psychoanalysis offered us another way of seeing the relationship between art and the unconscious and emptiness. He considers Freud’s work to be misinterpreted by the Post-Fredians and returned to it, expanding his notions and applications.

He attached so much importance to this topic that he struggled to participate in the International Psychoanalysis Association after sending a statement exposing his ideas, however, he founded the French Psychoanalysis Association and created his own school in Paris.

Object a is a contribution to the concept of object in psychoanalytic theory. It was born of the need to clarify the original purpose of psychoanalytic theory. Did Lacan take l as a reference? Lost object of desire? Freud. Besides, did you take into account the? Transition object?Donald Winnicott and me? Partial object? De Melanie Klein.

Therefore, Lacan tuned to the Freudian hypothesis that refers to the ‘lost object of desire’ as a constantly persecuted and never found subject; an asymptomatic and dissatisfied desire, but that allows the individual to learn by being in touch with reality. .

Initially, Lacan’s object was the absence of a desire to fix something, because every time the object of desire was reached, the person moved on to another, although this concept has evolved further, the object responds to the initial of Other, another in French. , and wanted to refer to the other of desire.

Lacan used the lyrics as a logical value, based on algebra, a concept he applied to metaforize loss, because he sees the subject intertwined between desire, the other, enjoyment, love, and anguish, making it difficult to return it. the subject because, in return, he must pay the price of the loss.

So it would not be something we missed, but the constant feeling that we have that shows us that something is missing in our lives, that is, the object would have the function of masking the defect.

Lacan himself called him in various ways: ecstasy, book of flesh, madman, aleph of anguish or abominable. These names have been used to try to explain what this theory and others are about. Let’s see what concepts the object relates to:

Lacanian theory is so vast and complex that it takes time to understand meditation and reflection. This is mainly due to the language you use and the concepts you inherit from structuralism and mathematics.

To better understand, we recommend that you first explore Freud and step-by-step review each of Lacan’s formulations as they are interconnected.

In short, the object has is one?Invention? Lacanian based or influenced by the thinking of Freud and his contemporaries. It would be an object that points to the unattainable; a surplus of enjoyment that concerns anguish, deprivation, ghost, desire and the other.

In other words, it is the object of the cause of desire, or the window of deprivation, or its masking.

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